"The 'Hells Angels of virtuosity' surprise with a powerful and humorously mix of rock, jazz and classical sounds."
Konstantin Wecker (German singer & songwriter)
"If there's thick smoke on the river Danube, the Spring String Quartet
is travelling the river combining Deep Purple's 'Smoke on the Water' with Johann
Strauss' 'Blue Danube Waltz'. The first track sets the tone for the record. Michael
Radanovics arranges his own compositions based on Strauss melodies alternating
with original works like 'Spring is here' (Rodgers/Hart), 'Under African Skies'
(Paul Simon), 'African Herbsman' (Bob Marley), etc. Christian Wirth, Marcus Wall
(violins), Julian Gillesberger (viola), and Stephan Punderlitschek (cello) are
sweeping their strings, uniting musical ingenuity with brilliant technique, humor,
and boundless energy. This is how Ohad Talmor, one of the contributors to this
record, puts it: 'The S.S.Q. is a talented and versatile quartet; they enjoy experimenting
and are open-minded about new and old styles'. That says it all!"
JazzZeit, Nov. 04, Christian Bakonyi
"The four excellent Upper Austrian musicians of the Spring String Quartet
are crossover artists who redraw boundaries. On their new recording "Blue
Smoke On Johann Strauss" (Extraplatte) they again manage to combine classical
music, rock and pop in an incomparable way. A real treat for everyone's ears."
Valuation: 6 stars (of 6)
OÖ. Nachrichten 2004/11/26, Reinhold Gruber
"...From the very outset of the CD it is clear, that the Spring String
Quartet is not interested in a classical interpretation, but rather the opposite:
It offers a very refreshing new interpretation of the melodies by Johann Strauss
in a contemporary context..."
Concerto Musikmagazin Dec. 2004, Thomas Haderlapp
"Rocking - with strong bowing, tearing plucking and clicking hits, mostly
in fast movements, full of wit and irony, sometimes provocative to the limit of
lasciviousness, at other times melancholic to the border of lamentation, piercing
harmonies, always surprising in their improvisations the four instrumentalists
fiddle any classical purist out of their seats."
Jazzpodium 12/2002, Matthias Weiller
"The SPRING STRING QUARTET sets out to conquer new territory with its
'Train Songs' (CCn'C Records), abducts its passenger into a world which enchants
them with overwhelming sound. Classics of rock music are given new facets. Virtuoso,
gripping, different, weird and in any event harmonious. The 13 train songs capture
many moods, break down all barriers of style, embed themselves between pop, rock,
jazz and blues, expand the horizon of their listeners and captivate them forever.
A gem within the sound desert."
OÖN 2002/05/31, R. Gruber
"Really takes off."
Kleine Zeitung 2002/06/09, Walter Titz
"...the musical swing of the Spring String Quartet convinces the audience."
Interpretation: 5 stars, Sound: 4 stars
FonoForum 12/02
"The cellist sometimes mimes the jazz bass singer, then the rock bass
guitar or is simply a typical string quartet cellist; and the others fiddle and
scratch to their heart's content, then again show something of their classical
roots and allow themselves to be stimulated by all directions. The four gentlemen
are competent improvisers, which is still not natural with string quartets, but
the fascination clearly comes from the way in which they play together. Like on
a train: They all pull together."
Rondo Magazin 2002/08/29, M. A. Woelfle
"Similar to the renowned Kronos Quartet, the men of the Austrian Spring
String Quartet brush aside familiar themes with experimental furor and a great
deal of drive. This music would splendidly match a beautifully weird road movie.
This sets the groove - sorry - the train rolling!"
Stereoplay 9/2002 Matthias Inhoffen
"...and has therewith landed an inspiring album"
JazzThing Nov. 2002
"well known pieces are skillfully arranged and gain a new magic. They
join a racing train ride over 13 stations yet leaving enough time for great emotions."
Neues Volksblatt, 2002/07/06, Tobias C. Führer
"Absolutely worth listening to!"
Highest grade (4 points = very good)
Concerto 3/2002, Karl Gedlicka